The art in general that it brings deeper feelings must be watered as sedentas plants that only causticam to the sun and thus they can bring fruits more lasting candies and in the soul of the human being. The art has a divine linking, directly leaves the heart of the artist the spectator. It in itself does not need many apparatuses and yes only an artist of opened heart, so that it can loan it its body and thus it to be able to manipulate it and to get life. An art requires only one canal of escape, of revelation, to be able to materialize itself and to play the role of it being set on fire to whom, as the artist, is also in peace I obtain exactly to enjoy of a present the holy ghost, am it in any manifestation, either painting, ilusionismo, circus, music, poetry, scenic, or exactly when an adult if twists all and makes faces and mouths only for the smile of a baby who observes to it intently. why not? If We can say that to take joy, ternura, satisfaction, among others good sensations can bring a welfare to other people is art, then of similar form it can be concluded that to live well, to always send joy, ternura for other people also is an art, where the artist is of opened heart to communicate itself with other human beings, then art is to live well obtains exactly and with the others. Therefore, when saying that to live well it is art and it is also a weapon against the rind that the human being that does not have without retouchings, searching to evolve, any perspective, he tends to construct exactly in return of itself, isolating itself of the world and the good sensations that the life offers and seems to be of so ephemeral form, if not to water, mainly if the said artist, exactly being of opened heart, will not be persistent when seeing its canal the holy ghost (art) to find many obstacles. The artist before everything has that to be persistent and to always think about using its open heart to only sow the joy for where to pass, therefore these things will come back toward it, searching to disclose everything what it has of more intrinsic in the art, collaborating so that life in the world exists. The artist is the collaborating greater to prevent the bankruptcy of the human being in the world.
Andres Desvalles Summary of: Patrician Moura Special Pupil of the Mestrado in Museologia & Patrimony the texts selected for this comparative study are of authorship of two operating professionals in the area of Museums, with diverse works developed for the main entities of studies of the phenomenon Museum, as the ICOM, ICOFOM, COFEM, beyond its academic activities in its countries. Leaving of the text of Desvalles, mainly factual, the author initiates its work identifying the word ‘ ‘ Museologia’ ‘ in diverse languages, as well as its meaning initial ‘ ‘ everything what museu’ is relative; ‘. In 1926 with the creation of the OIM, it is started to think the Museologia and the Museografia to it, but from 1946 it only passed to be understood as ‘ ‘ the Science of the Museus’ ‘. Dating events more current as the creation of a school of Museologia in France still in 1929 (in Brazil this occurs in 1932 thanks to the efforts of Gustavo Barroso) and of the evolution of the area by means of of to think museolgico stimulated for philosophers Czechs, Russians and to follow with the contribution of other icons of the Museolgica Theory points out the creation of the International Entities as the ICOM that from 1946, congregates muselogos of all the parts of the world in an effort to study the phenomenon Museum. In 1963 in the woollen Dicionaire Langue (Robert) she is described as ‘ ‘ Science, techniques that contribute for the conservation, classification and presentation of the workmanships, of objects in museus’ ‘ (trad.
Scanapieco-2011), ignoring the definitions of G.H. Rivire (1958) of Museologia (science that has for goal to study the mission and organization of the museums) and Museografia (joint of techniques in relation with the Museologia). In 1975 with Germain Bazin the thought of Rivire returns, added of the study of the history of the museums, proposal for Bazin- very diverse thought of that it conducted the teachings of the Museologia in the Louvre, where the area if only restricted to the historical study of collections and its management.
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